Criticism
Favourites
One day, we’ll be nostalgic for COVID-19 | The Globe & Mail
Two sides of salvation in the Salton Sea | Hazlitt
Rectify finds peace in not knowing | Hazlitt
The silent wonder of Atlanta’s first season | National Post
Past WOrk
Rediscovering Harry Nilsson | The Globe & Mail
Guillermo del Toro: At Home with Monsters runs at the Art Gallery of Ontario | The Globe & Mail
Steve Heinemann at the Gardiner Museum | The Globe & Mail
25 years on, Hot Shots: Part Deux shows Hollywood is past the point of parody | The Globe & Mail
Pointe Break: At the end of his dance career, Aleksander Antonijevic prepares to trade one studio for another | National Post
Steve Martin throws Canadian icon Lawren Harris into a whole new light | National Post
Stranger Things slows down the Upside Down | The Globe & Mail
Review: Jesse Ruddock’s novel Shot Blue | The Globe & Mail
Get Out and the horror that lurks in our own uneasiness | The Globe & Mail
Letterkenny and the legacy of the Canadian dirtbag | National Post
Position as Desired: Exploring African Canadian Identity at the Windsor Art Gallery | The Globe & Mail
The Art of the Deal and the beginning of the Trump brand | National Post
RIP Leonard Cohen | National Post
The illustrated ignorance of Jack T. Chick | National Post
Sincerity in the time of Dogboner | Hazlitt
Space Ghost Coast to Coast at 20 | Hazlitt
The genius of Norm Macdonald | National Post
‘You only change when every other option is ripped away from you’: An interview with Elan Mastai about All Our Wrong Todays | Hazlitt
‘You write your way into clarity’: An interview with Paul Auster about 4 3 2 1 | Hazlitt
For Jordan Tanahill, a life measured in seconds | The Globe & Mail
The guns we shot | Hazlitt
Chihuly is big, but is it art? | National Post
Donald Rumsfeld, Rob Ford and the armour of irrationality | Hazlitt
Are Key & Peele Not Men? | Hazlitt
The Bleak Depths of Bojack Horseman’s first season | Hazlitt
What happens when white men realize their perspective isn’t the only one that matters | National Post